Factory Brooklyn.
The issue is that of course most of them want about a thousand dollars a day. Sometimes more. That's fine if you're shooting a commercial, but for us that's about 1/8th of the entire budget of the picture. That's OK, by - and - large they can be talked down in price a little. The thing they're always afraid of is a company coming in and being all like "OK, we need a makeup room, 200 thousand watts of power, this and this, and this. Oh, and we need to move this wall..." So they don't think that $200 for the day will pay for all that.
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Nobody seems to make a Fender Tremolux kit. That's just... wrong... That's the 5G9 circuit I believe.
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My lawyer says we have to protect ourselves: note that we're constantly developing screenplays, we probably have a screenplay like what you suggest in development. Furthermore, if you suggest an idea for a screenplay you're giving us that idea.