They would preferably have their own DAW (we prefer Samplitude because it's in-house but it isn't necessary). The job can be done remotely too. No need for someone local to NYC.
Audio person would be responsible for:
- Foley or cut effects for all footsteps and things that make sounds that look like they're happening to the characters onscreen.
- Also making cut-effects
- Backgrounds
- Music editing
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My lawyer says we have to protect ourselves: note that we're constantly developing screenplays, we probably have a screenplay like what you suggest in development. Furthermore, if you suggest an idea for a screenplay you're giving us that idea.