I was surprised to find that our little voiceover booth was good for Foley work. And compared to hard-cut sound effects, Foley goes fast.
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| DeLisa M. White recording Foley with my shoe and a brick. |
What would be in the interest of preventing an otherwise formidable instance without the means.
Monday, March 19, 2012
Foley Day in the Pandora Machine
So we recorded Foley for Android Insurrection. DeLisa M. White came by and we made some footsteps and robots sounds (which will all be up under a Creative Commons 0 license on Freesound.org just as soon as they are moderated.)
I was surprised to find that our little voiceover booth was good for Foley work. And compared to hard-cut sound effects, Foley goes fast.
Now, is there any compelling reason not to deliver sound files for mixes in 24-bits?
I was surprised to find that our little voiceover booth was good for Foley work. And compared to hard-cut sound effects, Foley goes fast.
Hooray for Foley & talented Foley artist DeLisa!
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