Arrange for percussion in the same way you do for the rest of the orchestra, top, middle and bottom or foreground, middle ground and background. Think of percussion in layers.
I still think mine is better.
Masque has a whole series on wireless microphone rigs for actors in theater. None of them are pretty.
I'm working on a SSATB for a Pushkin poem. It is a mess.
Zebra is a software sythesizer by u-he.
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My lawyer says we have to protect ourselves: note that we're constantly developing screenplays, we probably have a screenplay like what you suggest in development. Furthermore, if you suggest an idea for a screenplay you're giving us that idea.