Friday, October 03, 2025

Capitalism Does Not Exist

 TL;DR: Any definitions of Capitalism

  1. don't account for the actual economy,
  2. or are un-falsifiable,
  3. or by definition is a system that must have already self-destructed. 

Political dolphins, the Soviets of the Seas.

Capitalism as a theory

"Capitalism" is simply a structure, or a framework, for examining and critiquing the political economy. It's a theoretical model, invented by socialists, to critique the political economy.

So wait. What happened?

In the 1800's there were a lot of people with all kinds of different utopian, communist, and socialist ideas. There were also extremely regressive people who were in favor of the stratified class systems and slavery and the systematic oppression inside the gender dynamic. Not any single person necessarily was on the right side of any of these issues. There were all sorts of various ideologies where people recognized that things were mightily screwed up, but they had rather differing views about how and in exactly which way the dominant system worked. There had been a very large number of people who adamantly objected to the oppression on religious reasons, but some thought that there could perhaps be a bit more scientific rigor in defining the political economy.

Enter Marx and Das Kapital.

Capitalism, the theory, was invented by socialists. Mostly, but not initially, it was invented by Karl Marx.1 He wrote the theory down in a great big book called Das Kapital.2 In Das Kapital, Marx steel-manned the pro-status-quo economic arguments at the time into a coherent economic theory. Then he then demonstrates, very conclusively, that the system he described would absolutely collapse under its own weight. Nominally, the folks who wanted to maintain the status quo paid no attention to the "inevitable collapse" part, but rather liked the beginning bits. Why? Well that's the thing. It was a pretty good theory. It really seemed to add some "science" to the whole dismal philosophy of economics.

Marx's Das Kapital is essentially the ur-text of Capitalism. Proudhon may have used the word "capitalism" first, but Marx's work really took it to a place with some real rigour.

It was such a good theory about how the political economy worked that that just about everybody bought into the theory. And I do mean nigh on everybody. Those who were against the status quo of the 19th Century (what we might broadly call the "left") took a look at this theory of capitalism and said "Yes. This is the system! It's oppressive and terrible!" Those who favored the status quo said "Yes, this is the system! It's great and perfect!" Left-wing antagonists of Marx (like Bakunin and Proudhon) may have hated virtually everything else Marx was into3, but thought Marx's analysis of "capitalism" was right-on. 

I should reiterate that none of the commonly-cited right-wing thinkers on the economy used the word "capitalism" to describe the system before Das Kapital.4

Everybody5 believes that Capitalism exists. There's just one itty-bitty little problem.

It doesn't.

Now, Marx came up with the first serious theory of the political economy when he created the theory of capitalism in Das Kapital. He did an excellent job with it. Really. But that doesn't make it a perfectly working model. It is, after all, part of the social sciences, which has a fairly dreadful record overall. I would suggest, however, that the absolute brick walrus of capitalism is the notion of humans solely working in their own self-interest. This is a notion that right-wing economists have steadfastly clung to as though it is an self-evident truth. But even in Chicago, some economists are recognizing that homo economicus isn't a thing.6 Humans don't make decisions solely based on their economic self-interest.

To be fair, both Marx and Adam Smith were looking primarily at the second worse people in the world at the time: those being English factory-owners.7 Still, the biggest problem with "capitalism" is that the model relies on humans doing things in their own self-interest. Humans don't always act in their own self-interest. In fact we would have already had a worldwide working-class revolution if people did act in their own self-interest. Veblen did an excellent job of explicating how kerbonkers people actually behave.8 And this is why I say that "capitalism" does not apply to the actual political economy. It can't, because humans are at a minimum vastly more chaotic than accounted for in Das Kapital and, by extension, in capitalism itself.



Capitalism isn't any sort of "fact" about the political economy, it is merely the dominant narrative of our culture. I would suggest the lack of any sort of exact or precise definition that has any sort of salience indicates that. I would suggest the best definition of capitalism is the definition offered in Das Kapital.9 But obviously for many people (especially those in favor of "capitalism") recognizing that capitalism is a Marxist invention is not really their happy place. Is the definition of capitalism the so-called "free markets"? Of course not, free markets are like the Easter Bunny. They're a fun story to tell but they don't, and can't, exist. No, capitalism is [waves hands] "All of this." There are definitions of capitalism that lean more on a theoretically "pure" (but heavens to betsy, not "Marxist") model.
One could, if one so desired, define capitalism as the "commodification of labor", which might be largely a Marxist definition of capitalism. And to be fair to that definition, one would only have to establish that the dominant mode of production in an economy has labor as a commodity. That is, the system must include a way to make labor somewhat fungible, as I understand it. So this is ostensibly falsifiable in that (say) hunter-gatherer communities and subsistence farming are not "capitalist" under that definition. Still, homo economicus is required for the commodification of labor to really mean anything. A non-commodified labor under this definition would be (for instance) pretty much everything done by anyone who works for the government, the army, schoolteachers, or many medical professionals. And that would be fine except that also not only has the US economy become a service-economy but also the financial sector has overtaken manufacturing altogether which would render the US as "not capitalist" under this definition too.

Perhaps the non-falsifiability of "capitalism" is part of the pervasiveness of the idea of capitalism. My overall critique of Mark Fisher's Capitalist Realism is that it accepts the idea of the pervasiveness of "capitalism" in our culture as though capitalism actually exists, rather than that it's an idea which infects our culture. Which it obviously totally does. Everything is "capitalism" if it's in our society. The reason we can't break out of what we might call the "capitalist paradigm" is because everything becomes capitalism unfalsifiably. Indeed, most any sort of "reform" inside capitalism is dismissed by the left as being "necessary for capitalism." Trotskyists call the Soviet Union "capitalist" (not that I really disagree.) The American right will call, say, welfare, "communist" but won't say that our system is communist10 while the left will say that welfare is just a band-aid to prevent insurrection against a capitalist system. These competing definitions of capitalism go from the right's this is actually socialism to the left's "until we have utopia, it's all capitalism".

So what am I saying? I'm saying that capitalism has no workable definition that is falsifiable. It's all capitalism all the time. You can't not have capitalism because it's all capitalism. Which is the same to me as saying "capitalism does not exist." Because, after all, it doesn't.



Now, although I argue here that "capitalism" really has no specific definition outside of Das Kapital, Marx does have a pretty good and logically sound definition. And as I show in my first point, I don't believe that Marx's Das Kapital definition of capitalism can exist. But there's more than that! Inside of Marx's definition, capitalism simply must collapse. Now, this isn't a completely new notion. There have been numerous collapses in "capitalism." I would suggest that if capitalism had existed at some point in the mid-19th Century, it was dead by the end of the 19th Century. Certainly most Marxists, using their interpretation of Das Kapital, thought that capitalism should have collapsed by then.

Why does this matter?

We want to make this entire system better. Objectively, the whole system is better than it used to be. I mean, here in the US we had flipping slavery. So what we have now is better, at least, than that. Still, we can do vastly better. What I suggest here is that the goal of abolishing capitalism is meaningless. Capitalism doesn't exist, so whatever we do to make things better should be directed at making them better, not worrying about a theoretical structure of how the political economy operates. Certainly, we should not rely on an archaic framework which doesn't apply to the political economy we actually have.

What about late-stage Capitalism?

What is typically considered as the low-hanging fruit of a critique of Marx is how the theory/theories don't address the systemic oppression based on sex/gender, race, and the problems of environmental destruction.

It is sorta fascinating just how much "capitalism" became such a dominant notion of what the economy is. This is what happened. In the 19th Century a whole bunch of radicals, revolutionaries, utopians, socialists, communists, religious and non-religious people were running around just looking at the world and not being terribly happy with society and the cruelties inflicted upon the poor. In the US there was also an issue of not only gender relations but, er, a peculiar institution11 and Marx was nominally irked by how there wasn't really a good description of what was wrong with people like Smith and Hume and others and decided he'd demonstrate that the system they thought was brilliant would necessarily fall apart. He also wanted to demonstrate to all the other socialist/anarchists/utopians that they were wrong with their theories because they just weren't scientific enough. So what did he do? He wrote a book called Das Kapital12 and "steel-manned" the nominal economic ideas of the status-quo. They he systematically curb-stomped the whole ideology of the right. And he offered a structure that demonstrated that the economic system could not survive as it was.

And perhaps I am over-influenced by Murray Bookchin:

Marxists lean on the fact that the system provides a brilliant interpretation of the past while willfully ignoring its utterly misleading features in dealing with the present and future.13

But I agree that whatever we call "Marxism" (which I do insist includes the entire notion of "capitalism") can be great at figuring out what's bad, but terrible at figuring out what's better. But us? We can figure out how to make things better.

  1. I think Proudhon was the first person to use the word "capitalism" to mean the economic system. Proudhon's quotes and ideas are sometimes mistaken for Marx's (lookin' at you Oppenheimer movie.) ↩︎
  2. I'm not a huge fan of German academic writing. It's unnecessarily obtuse even as compared to other academic writing. If you feel like reading Das Kapital, check out a series of videos by David Harvey where he does an amazing and enlightening seminar on the whole text. ↩︎
  3. Marx and the anarchists famously fell out at the First Internationale in 1872 (although Proudhon was dead by then.)  ↩︎
  4. Note that Adam Smith never mentions "capitalism." Hume and others did discuss "capital" but only by using the older definition of the word, meaning "stuff" that a person might sell, not the system itself. ↩︎
  5. I mean, obviously, not me.  ↩︎
  6. Chicago has a terrible reputation as a hotbed of right-wing economists. The "radical" ideas of Freakonomics are that sometimes humans don't act rationally [gasp.] ↩︎
  7. The worst on Earth, of course, being American slave-owners. ↩︎
  8. Veblen is cool. Groove to the Theory of the Leisure Class. ↩︎
  9. It's important to recognize that Marx's definition of capitalism does not require that the entire system be "capitalist." It only requires that the dominant mode of production is capitalist. So Marx's capitalism does not get falsified simply by some elements not being capitalist. This is helpful to the left-wing argument that socialism "props up" capitalism. However, I would argue that the dominant mode of the actual system we have is not capitalism. At least that's what the rest of this essay attempts to demonstrate.  ↩︎
  10. Not usually at least. I'll say the US is communist, but not as a pejorative (and not in this essay.) ↩︎
  11. Slavery. ↩︎
  12. I'm insisting on spelling it the German way to distinguish it from "capitalism." ↩︎
  13. https://www.marxists.org/archive/bookchin/1969/listen-marxist.htm ↩︎

Saturday, September 06, 2025

Addendum

Furtherfluffy, I just straight-up dig Airwindows. I mean, Chris Johnson? He's just very cool. He tends to work in Reaper I believe. Now, I'm not sure I'm going to use the Console plugin. But it's still neeto. I'm doing some little experiments.

Console X controller. 

And another thing super-cool is that there's a piece of hardware that's a controller specific to the Airwindows ConsoleX plugin made by an Argentine company called Yaeltex. It's less than $900! They also make a bunch of other controllers and you can order a custom controller for whatever you want.

But another thing is that there are some really amazing plugins like reverbs and EQ's and very weird stuff, some of which sounds really good-grief amazing. 


 Here's a video demo of ConsoleX:

Things nobody needs to know

There are a bunch of "console" emulations which are plug-ins for DAWs (digital audio workstations). The last one I tried was the Waves emulation and I felt that all it did was collapse the stereo field. Which, you know, is sort of the opposite of what they're reputed to do. 

Since forever in the olden days there has been the idea that the 2-mix buss on a classic Neve somehow magically sounds fantastic. But it's very very hard to really A/B test an ITB (in the box) mix vs one that's been done on a big analog mixer, or through an analog "summing mixer." Are they actually things? Historically the answer has been "no." 

But. I've been experimenting. 

Airwindows Console is free and open-source. It's a console plugin, but Airwindows is very low in resource consumption. There are hundreds of plugins that have absurdly simple interfaces but my first set of tests indicates they sound excellent. 

This is an artist named Karra and I love this jumpsuit.

Surge XT is a free and open source hybrid synthesizer plugin. I haven't tried it yet.

Auto EQ ostensibly gives you EQ suggestions for headphones. 

Analog Obsession is another maker of "donationware" plugins which are kinda cool. 

News Laundry is an Indian English-language independent media outlet.

Woke dolphins.

From Reddit:
  1. Place EveryConsole Plugin as the first plugin on any of my mixing channels(not busses outside of the master) and set it to console0 channel mode,

  2. Place EveryConsole Plugin as the last plugin on the master bus, before the limiter, on console0 bus mode,

  3. And of course, not touch any of the faders in the DAW.

In any case, I'm experimenting with the Analog Obsession "Konsol" plugin on the opera. I'm using the "black" switch with the transformer on. Do the mixes seem "wider"? Maybe. The null tests show a couple odd things -- one is that for some reason the exports from Samplitude are not sample identical. By that I mean the Konsole version seems to start a few sample later than w/o Konsol. 

The other is that I do get a bunch of spacious reverb when just listening to the null. Is that from the fact that reverbs and other time-based effects cannot null? Maybe. I could pre-render all tracks with reverb first and do tests that way. Who knows? Maybe. 

One problem with these plugins is that they really require using the plugin's own faders for mixing. That's kind of annoying. I've been using Konsol without using the input/output knobs on it. It doesn't null (I just tested without time domain effects.) So it must be something. Is it anything... good? 

Right now? No. Just from listening it feels like the ITB version sounds the best. So I dunno. 

Friday, September 05, 2025

Girl, Drowning

Our feature, The Drowned Girl, hasn't gotten into any film festivals. And it's not like we only submitted to Cannes and Sundance or some such, but to festivals which we thought would be more interested in movies about fascist collaboration. 

So we're going to experiment with Filmhub. No, we don't expect to make any money or anything, we just want the movie out there.

Annalisa Loeffler as The Drowned Girl.



Neural Amp Modeler is an open-source, well, amp modeler. 

The Analog Obsession KONSOL is a freeware/donationware console emulator. 






Tuesday, August 05, 2025

Schoenberg, Chopin, Associative

 The Chopin trick for chord progressions. It's kinda cool.


Schoenberg meets Thalberg.

Pipe Chase

I'm behind on everything. But we're in the final ploof of work on Red Flag of the Future. I'm going to make the big bucks, you know, with puppet opera. Because puppet opera is where the money is. The big money. Puppet. Opera. Can you feel the money pouring in? We all can. 

Honestly, "Guest Storage" cracks me up. 

Our cast and crew screening next week is bonked because of some key people coming down with the Covid. Ugh. I've had it twice, but I seem to be free of it this time. 
Birthday present T-shirt. I'm staying on target.

So I'm hiding in my disease-free-bubble. I noticed that the sinus operation a few years ago (which nearly killed me when I got MRSA) has, ultimately, really worked. I get sick much less. I mean, I got Covid once since then. But so far nothing else.

A bit more than a month ago. This was unpleasant. 

I mean nothing else except the wildfires in Canada are making the air quality absurdly bad. Like 1970's bad. I'm personally keeping the entire air purifier industry afloat.

Associative Property.


Sunday, August 03, 2025

Rendering in DaVinci to 23.976

So, the word on the street is that both DaVinci and Premiere do terrible h264 renders and you should first render out in high quality before using Handbrake or some such to make the video you'll put on YouTube or whatever. 

DaVinci timeline. Red arrow points to pre-rendered .mov file. 


That's... fine. I mean. It's fine. I still use DaVinci for many short uploads -- tests, some corporate stuff, etc. -- but I'll export final feature-length things in high-res before Handbraking them to HD.

I usually like to pre-render my acts (or 10-ish-long minute sections) and then put the pre-render at the highest track of the timeline. It makes rendering easier and it acts as a safety where the movie can be rebuilt in the future even if the software that edited it doesn't exist anymore. 

But here's a weird thing I've discovered in DaVinci. I shot this puppet opera at 23.976, mostly on a Blackmagic Pocket 4K, but some on a Panasonic GH4. For some reason, my timelines I made in DaVinci Resolve are set to exactly 24 frames per second. But seemingly, it does something odd with the 23.976 material inside the timeline. 

If I pre-render the timeline, the pre-rendered Quicktime (or whatever) slowly moves out of sync. But that seems to be because the automatic frame rate of the render is at the timeline's settings (24 fps). If I manually change that output to 23.976 it can then be re-imported and placed on the timeline and syncs just fine. 


Zum Tanz

There's a plugin for GIMP to export individual layers in an image as new images. Batch Image Conversion.


My sister Jeanne made these delightful animated letters for the opera. Could we be finished with this opera? I would be happy to be done. So close! 



Saturday, August 02, 2025

NiftyCase standards



 the NiftyCASE when using 5-Pin MIDI:

  • Channel 1 will go to CV/Gate 1

  • Channel 2 goes to CV/Gate 2

  • Channel 3 is for duophonic input, that is, two simultaneous incoming MIDI Notes: First note goes to CV/Gate 1, Second to CV/Gate 2

  • Channel 10 acts as 5 drum triggers, turning the CV1/Gate1/CV2/Gate2/Mod outputs into individual gates based on the incoming note (C1 to E1).

Travails of an acoustic guitar nut

8 years ago I did a whole thing about 3D printed guitar nuts. The short answer is that I absolutely do not care about what a nut is made of. I don't care about bone nuts, brass nuts, nuts made from prehistoric fossilized antlers, whatever. 

What I do care about is intonation compensation at the nut. 

So I made a 3D printed nut for the Martin D-28 and I experimented with making them out of PLA and ABS plastics and sound-quality-wise it didn't make any difference. 

Well, it's 8 years later and something happened. 

Melted guitar nut.

Now, what actually happened here? A couple years ago the bridge split in half. It really bummed me out. I took it to 30th Street Guitars and they did an amazing job fixing it. But I was still kinda depressed about the whole thing having happened and I left the guitar in its case for at least a year. When I opened the case to play the guitar again, I found the bridge in the above shape. 

Also, some of the finish of the guitar had reacted with the fuzzy stuff inside the case. I presume it got very hot inside the case at some point to do all that. It kinda bums me out. Again. 

It seems that case reaction is a thing.

It may be a reaction to using a silicone polish like Pledge. That could be a problem I didn't know I was introducing as I normally wipe down guitar and then put them up on a wall. But if I were to wipe it down and put in a case? Ugh.





Thursday, July 31, 2025

Gorumfular Mathematics

Behringer Neutron reset procedure:

Factory reset procedure:
Wile pressing the "OSC SYNC", "PARAPHONIC" & "KEY TRK" buttons, power on the Neutron. The LFO LEDs should display a pulsating pattern.

Pot calibration:
While the LFO LEDs are pulsating, turn the OSC1 Shape pot fully counter-clockwise and the OSC2 Shape, LFO Shape, LFO Rate & Porta pots fully clockwise. When the pots have been correctly positioned, press VCF "MODE" and LFO "KEY SYNC" simultaneously.


The image shows a close-up of a hand holding a four-leaf clover by the stem between the thumb and forefinger. The clover is bright green, with four distinct, rounded leaves. The background is slightly blurred, showing a lush, grassy area with hints of sunlight, suggesting an outdoor setting. There is a dark object partially visible at the bottom right, possibly a shoe.
The first four-leaf clover I'd ever found. (Oddly, I found another one a couple weeks later. Ain't seen another since.)

Arbitrary symbolism is a linguistic doctrine that predicts an orthogonal relationship between word forms and their corresponding meanings. Recent corpora analyses have demonstrated violations of arbitrary symbolism with respect to concreteness, a variable characterizing the sensorimotor salience of a word.


Monday, July 28, 2025

Sixty Now

Visiting pigs for my 60th birthday.

I'm kinda interested in these shelf EQ's by Neumann. There are numerous versions out there. Link Audio Design makes the W92X which is a 500-series module. As far as I can tell, the circuit is fairly simple and straightforward (although uses a lot of parts because rather than infinitely-variable potentiometers it uses switches.) They're just under 400 Euros assembled.

The Link Audio W92X 500-series module.

New Systems Instruments makes a number of interesting-looking Eurorack modules. Here is a quad M/S encoder/decoder. An oddity with Eurorack is that the input and output voltage standards are different from both prosumer and professional audio. 



Output Swing−10V–+10V peak
Input Range−10V–+10V peak
Input Impedance94kΩ
Output Impedance150Ω
Output Drive600Ω (min), 2kΩ+ (ideal)


Sunday, June 29, 2025

Just what and then such will am an

Alice Guy-Blaché Early filmmaker, possibly made the first narrative film.

When Gravity Fails is a really fabulous book series. 

New Left Review

Phenomenal World is a site I can't parse. 

The function in mathematics. 

These are less relevant now:

The image is a two-panel comic featuring a goose and a human. In the top panel, the goose is depicted in a side profile with its beak open, seemingly speaking. The text next to the goose reads, "Regime change to what?" In the bottom panel, a person is shown running away, wearing a jacket and pants, but their head is not visible. The goose chases after the person, with its wings slightly outstretched. The text above the goose in this panel reads, "REGIME CHANGE TO WHAT!!" Both panels have a simple, cartoonish style, with minimal background details.  Alt-text:  A comic of a goose questioning "Regime change to what?" and chasing a person.  Transcribed Text:  Regime change to what? REGIME CHANGE TO WHAT!!  heycantalk.com

The image is a two-panel comic featuring a goose and a person. In the top panel, a white goose with an orange beak is facing right and speaking. The background is plain, focusing attention on the goose. The text beside the goose reads, "Regime change in Iran to what?" The bottom panel depicts a person on the left, seemingly startled, running away from the goose, which is aggressively chasing them. The goose is in mid-stride with its beak open, capturing a sense of motion and urgency. The background remains simple, emphasizing the interaction between the characters.  Alt-text:  "Two-panel comic of a goose questioning then chasing a person."  Transcribed Text:  "Regime change in Iran to what?  REGIME CHANGE IN IRAN TO WHAT, MOTHERFUCKER?!"


True temperament frets.

Murray Bookchin

Arrow's Impossibility Theorem

Nadia Boulanger might be the best music teacher ever.

A 4-leaf clover I found. 


Associative, Commutative, and Distributive Properties

In mathematics

Mutable Instruments manual.

Murray Bookchin's "Listen, Marxist!"





Saturday, May 31, 2025

Sound tone brake

Sound analyzer This is a great pedagogy tool that gives you a nice FFT display of incoming audio using your web browser. 

Online tone generator This is another great tool for, well, generating tonies. 


Chance Shirley reminded me that Handbrake still exists. And it's available for Mac, Windows, and Linux


The image features a small, fluffy rabbit with white and light brown fur sitting on the keys of a piano. The piano keys underneath the rabbit are prominently displayed, showcasing both white and black keys. In the background, there is sheet music placed on the piano stand. The top right corner of the image contains a small inset showing a black and white photo of a person in an astronaut suit. Below this inset, there is another small black and white photograph showing three people in motion. In the lower left corner of the main image, the text "MUSIC FROM DR. DREW" is displayed in bold, red lettering.  Alt-text:  A small rabbit sits on piano keys with background sheet music; insets of an astronaut and people in motion are included.  Transcribed Text:  MUSIC FROM DR. DREW
From Richard Byrne. It is an accurate portrayal of my artistic process.


Wednesday, May 14, 2025

Threewise Imagineerings

This is a refinery from Ian Hubert

This was as big as I got with my novel Earthkiller.



Bunny tank