What would be in the interest of preventing an otherwise formidable instance without the means.
Saturday, September 30, 2006
We've been talking to Ted Chalmers at Halcyon. We need to come up with an HD 1.77:1 master, from which can be struck Pal and NTSC masters, both in letterbox 2.35:1, 1.77:1 fullscreen, and 1.33:1 fullscreen (sides chopped off). I also wanna figure a way to get a 5.1 M&E onto the HD masters, but we start to have trouble with the track-count on HD (there's only 8 tracks). We could do it if we were using Dolby E, however...
How the heck to you encode into Dolby E? I suspect a license is involved so maybe a day at a re-recording studio is in order...
And for that matter, I really want to do a pass on the dialog tracks with a Cedar DNS1000.
For money, Mitchell and I are doing a music video next month. He's directing and I'm DP/producer-of-some-sort. I'm just glad I ain't directing. We're going to rent the movietube and a couple Zeiss 35mm lenses (probably an 18, 35 or 50mm, and an 85). Mitch likes a shallow depth-of-field. Maybe we'll forgo the 35 or 50mm and get something really long then... Nah, that just won't be that useful.
And then there's this pig from www.cuteoverload.com
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