My first assignment is due on Monday. Oddly, it is a graded assignment, yet it does not count toward my grade. Indeed, there is a lot of work which is ungraded.
To try to get better at this kind of work I'm going through the Thinkspace seminars on Orchestral Mixing with Jake Jackson.
ProTools finally allows you to apply "gain" to individual clips. That's pretty much all you can do with the individual clip, but at least you can do that now.
I probably need to deal with mixing stems right back into the project. I haven't been doing that yet. in my life.
Man, they spend a lot of time dealing with the inherent limitations in ProTools. I forgot what a pain in the tuchus it is to just add a reverb to the end of a bit of a track. Holy cats.
Guy Michelmore's pedagological sense really works for me. Technically it's his sense of androgogy or some such. But he's able to articulate pretty much everything. You know I have this whole thing about the difference between a "master" of something and, say, a "journeyman" is the ability to teach the thing (er, disregarding the sexism in the terms.) It's his ability to articulate complicated ideas that works for me.
Interleaved stereo -- apparently the mastering person at AIR thinks they don't sound as good as separate tracks. I suspect that ProTools just sucks.
Convolution reverbs -- I'm gonna guess that most of the differences between different convolution reverbs is the impulse responses they use but there's probably some maths differences too. I suspect it's a case of everything else mattering first.
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