But because I was a sound mixer in a previous life, I have a fancy-pants timecode slate made by Ambient. Thing is, I've never fed it timecode. Originally I had one of those Fostex PD-2 DAT machines. That was a clunky thing. Expensive. Fiddly. But it could read and write timecode in whatever format you wanted, do pull-up and pull-down and whatever nonsense people used to do when shooting at 24fps, blah-blah-blah.
Then I went to a computer system. Metacorder. Way over-priced but fairly workable. That system would actually jam timecode too. Uh. Just on the output? I think maybe it just output timecode which the slate could sync to. I think. Wow. It's been a number of years...
But then we worked with non-timecode Sound Devices recorders for the last many years. And we use the slate because it comes down and makes a "whack" sound which is easy to sync up on the timeline (actually, I like the Ambient slate because there are these lights which come on when the slate actually hits and that makes finding the visual mark where the whack happens really simple.)
|The slate here is twice as expensive as the 8-channel recorder. What you see here is the transmitter to the slate, a battery (top) and the Zoom F-8 (in stop so it's not transmitting TC), and an Ambient slate.|