We're getting ready to shoot our next movie.
How's that going?
Well the schedule is up in flames.
You know, art, set, that sort of thing.
Doesn't this happen on every. single. movie. you. make?
Why yes. Now that you mention it. It does.
What are you shooting first?
It looks like we'll be shooting on sand dunes in Colorado first.
Really? You're flying out to CO?
Yeah, we're staying in a house.
Wait, marijuana is legal in Colorado.
I was not aware of that fact.
|My NSFW street cred was having some trouble lately.|
What are you shooting on?
We'll be using the Blackmagic Production 4K. We'll be shooting on sticks as well as handheld with a brace borrowed from Libby Csulik. We're shooting at 400 ISO just like all the blogs tell us to, but we're using a .9 ND filter to drop the light down 3 stops.
What about tap?
Right now I have this ridiculous notion that we'll take the SDI output from the Alphatron eyepiece and feed a second Alphatron eyepiece because the sunlight will just be too bright for a regular monitor. That way two people will be able to watch through the camera without setting up some obnoxious tent to cut down the light suitably to look at a monitor.
So what about the shooting in the studio?
I don't know. One thing I feel is that we need to use the Letus Helix because we have to emulate having a huge dolly on set. Oddly, the Blackmagic does not work perfectly with the Letus because of the optical center -- it means there's a big motor right where the monitor on the Blackmagic camera is. You have to put another monitor on the Helix.
At the same time, there is a kind of merit to using the Helix with a Panasonic GH4 (at 400 ISO) because of the flip-out monitor. Now, the Panasonic, like the Blackmagic, gets noisy above 400 ISO. And the Panasonic has more rolling shutter. But the interiors do not need composites the way we'll be compositing out in the desert (my problem with rolling shutter is the way compositing works, or doesn't work, without global shutter). Also, the smaller sensor size of the GH4 gives us a bit more depth of field which helps our lives when we have a moving camera and are desperately trying to follow focus.
You seriously have no idea what you're doing, do you?
I do not. I am, however, desperately trying to find out.