We Are What We Are

Jim Mickle's new movie, We Are What We Are, is doing a theatrical release in NYC and LA.
It's a beautiful film. Yes, I get to brag that I saw an early version of it at a private screening.

New Armor

Our armor from Nightmare Armor Studios is ready.

We get two helmets with the armor.

I'm curious as to whether we'll put lights inside the eye-pieces.

There are a couple shots where the robot turns and looks in a mirror. Yeah. I know. I'm hoping we can fit a camera inside the helmet and puppet the thing.

We've been running with the "cyberpunk C3PO" idea for a while. But this is actually a standard suit of armor from Nightmare.

Scheduling Residents

You just love looking at schedules for movies.

Here's our scheduled character days for Dead Residents. 9 days on. I was surprised as anyone that Hawkins actually has two days off.

Day 1

HAWKINS

ARGUS

Day 2

BLINK

Day 3

VINNIE

CHEYENNE

Day 4

HAWKINS

ARGUS

BENNICKER

CARLA

LOWELL

LUISA

RICHMOND

RODERICK

TEEVO

YERKOV

Day 5

HAWKINS

ARGUS

BENNICKER

BLINK

CARLA

LOWELL

NAIL

RATTY

RICHMOND

RODERICK

TEEVO

Day 6

HAWKINS

ARGUS

BLINK

CHEYENNE

MARGARET

RATTY

RICHMOND

STUART

TEEVO

VINNY

Day 7

HAWKINS

ARGUS

LOWELL

RICHMOND

RODERICK

Day 8

HAWKINS

ARGUS

BLINK

CHEYENNE

LOWELL

MARGARET

NAIL

RATTY

RICHMOND

STUART

TEEVO

VINNY

Day 9

HAWKINS

ARGUS

CARLA

LUISA

RICHMOND

TEEVO

Abe

I love these somewhat effeminate yet vicious robots.


ABE from Rob McLellan on Vimeo.
I wish that C3P0 would bust a cap in someone's ass sometimes. That very foppish attitude can only be balanced with fine swordplay. This short, Abe, has the appropriate amount of sweet talking and physical danger. This is kind of inspiring for Dead Residents, isn't it?

Advanced Open Water

So I passed my Advanced Open Water today. The Advanced class is actually much more fun than the regular Open Water because you don't have to do the hard stressful stuff like taking off your mask. You just work on your buoyancy and compass skills basically. And you get to swim around.

Here's my dive profile for my "wreck" dive. This is not a pride-inducing profile. I actually ran low on air and had to ascend and do my safety stop with my buddy. I got down to 100lbs of pressure and had to breathe off her spare regulator during the safety stop. Plus, you notice, those last three minutes are not exactly the most, er, buoyancy - controlled safety stops. I was up and down all over the place (breathing off my buddy's regulator).
Those upward-pointing arrows are where my "ascent warnings" chirped at me from my computer. That means I was going too fast and needed to slow down. The exclamation point at the beginning of the dive is a "ceiling error" and I'll just tell ya, I don't know what that is. I should find out.

Advanced Open Water Day 1

We actually had a student go to the hospital. He popped up in the water and did the distress wave and shouted. Everyone was afraid he got decompression sickness because the story was he was feeling sick and couldn't breathe and bolted up to the surface from 70 feet. However there was a doctor at the hospital (so I heard later) who was a DAN doctor and who said that the student was not suffering from any decompression injuries. So apparently he really did just get sick. Maybe he swallowed air? I wasn't in the water when it happened. And oddly there was a Rescue Diver course being taught about 100' from where he came up. So we (sitting at a picnic table some several hundred yards away) just presumed he was part of the course when he signaled his distress.
But they sure got to him quickly.
++++
I lost my cheap dive knife. It popped off my BCD. Maybe I'll find it tomorrow. At least it got used a few times before it jumped into the deep.
++++
I totally lost my dive buddy on one dive. At the same place I'd lost my buddy on my last Open Water dive. Seriously, that boat is cursed.

Anyway, we're descending to the sunken boat. I'm being good and looking behind me and giving the big "okay" sign. We get to the boat wreck and... he's just gone. I go up to the instructor. I make the "buddy" signal with my two index fingers and then a "duh, I dunno" shrug. We looked up, we looked down. We looked everywhere. No luck.
So I figure I'll at least do the exercise I'm supposed to do at the sunken ship. I'm supposed to measure the length using kick cycles and figure out how tall the boat is by using my depth gauge down at the keel level and then all the way at the top. When I get down on the bottom I see something... a brand-new weight pocket. I pick it up. It's got a weight in it.
So I bring the pocket up to the deck of the wrecked boat and show it to the instructor (we're still at about 60' depth here). I figure that we should probably just leave it on the deck of the sunken boat and whomever lost it would find it.
You'll note that I'm not putting 2 and 2 together here.
The instructor and I do a little search for my dive buddy. We even look inside the wrecked ship (without entering into it). My instructor isn't terribly concerned. We give up the search. Instead we swim around and I just sort of follow him and another pair of divers and we look at some fish.
So. Who owns a new BCD and has barely ever used it? That would be my dive buddy. Whose weights were not secured properly? I'll let you guess that one. Whose weights fell out and he bobbed up to the surface, unable to descend again?
The water at the quarry is mighty murky. At least it tastes good. But yeah, you can't see a diver on the surface if you're down sixty feet. You can sorta see the sunlight.

The Great Way

I loved Harry Connoliy's 20 Palaces. I tried to get him to give me his first novel to make a movie out of (he said no.) Here's a Kickstarter for his new book:

What I Want

Lady Gaga's assistant does all this:

• cleaning up after her,
• making sure her hair looked right before she went on stage, she drank water and had tea, ate and received "special food" at every concert location, and was hopefully on time to places, such as concert venues,
• handing Stefani's email and phone communications, luggage -- generally twenty bags -- clothes, accessories, makeup, and toiletries as the tours proceeded
• having ice packs, tea, and a shower ready at each concert venue,
• addressing Stefani's needs throughout the night (such as when Stefani would get tired of watching a DVD, she would wake up Ms. O'Neill to change it)
  
• and just being there for her.

 I just want that. I'll even pay overtime.

Learning the PADI Way

I'm in the middle of getting my "Advanced Open Water" certification from PADI. We did the pool work yesterday and we're going out to the quarry at Dutch Springs, PA this coming weekend.
As anyone will tell you, there's nothing "advanced" about the AOW certification. It's really the "Open Water II" class and is designed to be taken immediately after taking the regular Open Water class.
I can see why they do it that way though -- they want to get divers certified and not killing themselves as soon and as inexpensively as they can. So with the Open Water class they get you through three or four nights in a pool, six chapters in a book with a test at the end, and four dives in "open water".
With the open water certification you can get your dive tanks filled. You're not super-duper dangerous. You aren't supposed to go below 60 feet. But you are just barely a beginner.
And you know this. Thing is, as far as I can tell, most everyone feels clumsy and not terribly competent after getting their Open Water certification. And one's first reaction to the notion of going on to the Advanced class (at least mine, and from a couple other people who voiced similarly) is "oh I'm not ready for Advanced, I need some practice first." And as much as the instructors tell you "You can go right from Open Water to Advanced Open Water the next weekend" it's hard to believe. But it's totally true.

With the "Advanced Open Water" you start out just a bit more comfortable in the water. They're big on working your buoyancy (that's one of those words I can't ever spell on the first try) and compass skills. And you get to spend more time underwater with an instructor, which is always a good thing. For instance, my instructor said that I was a good candidate for ankle weights: so yesterday I went out and got a pair of them. They're 3.9 pounds of weights and they strap around my ankles (as you would expect ankle weights to do).
And snorkeling around the 5' deep pool at my parents' retirement place indicates that yeah, ankle weights work great for me. It's harder to move my legs -- but that's because my fins spend more time underwater. So ironically more weight = I go faster.
My goal is to go on through the Rescue Diver course. With the Open Water and Advanced Open Water I'm at less of a risk of killing myself. But with the additional training in Rescue I figure I at least won't be the problem in the water and may help from other people killing themselves.
+++++
I'm surprised at how useful a compass is underwater. The courses PADI teaches really makes an effort to introduce you to the compass and get you used to working with one. They start you off in the regular Open Water but they make you use 'em a lot in the Advanced.

Via.

You Gotta Carry That Weight

Pies in Washington DC. Dangerously Delicious pies.
Red Cross first aid and CPR classes.

The answer is 34 pounds.
The question you've all been asking yourselves is: how much weight does Drew need with a 7mm full wetsuit with hood and gloves.
34 pounds.
And, probably, ankle weights. With those 34 pounds.
Just wait 'till I get a dry suit. Then we'll really see how much weight I need.

Schedule a Dead Resident

Scheduling is such a very exciting subject for a film blog post. This is my attempt to figure out locations and sets for Dead Residents (1202).

Okay. So Mandira Chauhan broke the whole movie into 8 days (actually, she broke it into 7 days but we're going to shoot it in 9).

1 INT DARK ROOM/LOBBY
I don't know. Is there a way we can shoot this at Joe Chapman's place?

2 INT STAIRCASE
That we're totally shooting guerrilla at my apartment building. Better bring some flashlights.

3 INT 5th FLOOR hallway
Again, I say guerrilla style at my apartment unless anyone has a better idea

4 INT BLINK'S APARTMENT
I have this idea about how this could be my apartment. I have these weird Pepsi plastic things someone's been throwing away we could use for walls. And my couch. Of course, if that apartment set at Joe's is still there, it might be better.

5 INT VINNIE AND CHEYENNE'S APARTMENT
My bedroom. I don't know how we're going to dress this though. And I'm open to other suggestions.

6 INT RICHMOND'S APARTMENT
Can we shoot this in Joe's office in Allentown? We need a whole mess of computer monitors. Do we think that Richmond would have a bunch of monster movie posters hanging around his place?

7 INT GOLDFINCH APARTMENT
The only idea I have now is to use my parents' place in Princeton. It will be way too "nice" for the rest of the movie though. Maybe the Goldfinchs' are very rich and live in a run-down building? I don't know. I'm open to suggestions.

8 INT VEGAS APARTMENT
If we shoot just in the kitchen area of my apartment we might pull this off. Would I rather a completely different place? Yes I would. Can we get that? I have no idea.

Analyze This

Speaking of heavy musical analysis, did you want too much analysis of Grateful Dead's Dark Star? You know you do. So here it is.

I've been playing the song for over a year now and I had no idea that it goes to Em and D from the A and G that most of the rest of it is in. This is why I should never be allowed to play rhythm guitar.

Tyrannosaurus Mouse Album Version 2.0

So now here's an interesting article on music economics. And when I say "economics" I do mean "flashbacks to that class in college with the cute TA who tried to use the Chicago band The dB's as an example but nobody knew who they were because my class was filled with losers" economics.

"In most small businesses, pricing is a percentage whacked onto the marginal cost, and the setup cost is paid for in the percentage. Your setup costs are S (recording, designing the packaging, etc.). You can’t charge the customer upfront for those so you need to whack a percentage margin onto your marginal costs. This is the cost of each additional unit after the setup costs (pressing one more record, shipping one record, etc.), which are M per unit. So your total cost is S plus (M times units), and your return is (M plus percentage) times units."

Speaking of marginal costs, I created a new master of The Tyrannosaurus Mouse Album. There may be a bit of EQ. But there's a bunch of compression emulation. And I did it. Which is not, in and of itself, a good thing. But my mastering engineer won't return my phone calls anyway, so I may as well.
Did I make it too loud overall? Probably. Sorry. It's hard not to. But at least all the songs seem to be the same relative volume now. Don't they?
Click through and tell me.
I do like this album though. I think it should just go on CDBaby.

Prometheus Trap US

It looks like Prometheus Trap is coming out in the US! Hooray! November 1st release date!

I don't know those actors and the ship sure looks different. Other than that it looks about right.