Color Correction and Needs

I've mentioned this blog before, it's from the Art Director on Moon. He goes into detail about the production and post-production of that picture. This post is on color-correction. Right now I'm in the midst of color-correction quandaries with Earthkiller. I don't know which way to go with the picture. When I'm color-correcting I usually feel that I've gone too far. My producer frequently complains about the amber-and-bronze tones. And I find that I start to get lost by looking at frames and trying to figure out where the skin tone should be.
But the fact is that big-budget Hollywood pictures are frequently colored very radically.
So we're going for more severe CC in Earthkiller. I don't think, however, it's going to be consistent. I think that certain rooms will look a certain way and other rooms are going to look their own way.

Other members of the production team have a different opinion. Whoever it is who actually does the color-correction work will probably be the winner in the color-correction battles that take place deep inside the Pandora Machine.
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I need a mech and I need the side panel and door to the lander.