Stu has a great post over at Pro Lost which I'm going to link here because I'm going to read his post a number of times. It's all about retaining skin tones when doing heavy color correction. For doing high-quality post production it's a must read. Actually, virtually all picture editors should know this stuff too. Me? I can't figure out how to use the "range" control in "hue and saturation" but I best learn...
Last night we shot more. It was a bit cold on the mean, drug-dealing, streets of Brooklyn. Our wonderful makeup artist Cristina Atkin shemped for the "mysterious figure". Here's a very low resolution screen grab of one of our shots. Soon I'll put up much higher res stuff.
Nina Laurie and Ben Sulzbach look behind them at a mysterious figure in The Shriven.
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