In similar vein I wish to know if I should care about 96kHz.
In both cases I just want the cheaper one to be better. I'm just not sure if they are.
Meh. I'm pretty sure.
Also, I've learned that I do not care much about the difference between a film dissolve and a cross dissolve. Yes, there's a difference. I'm just not sure I care about it that much.
Did I get much actually done today? Not as much as I'd have liked. But I guess that's every day. We have this beautiful Steve Niles script which needs to be boarded out. Or at least scheduled.
At the same time I have to finish laying out all the visual effects we need in the dragon picture.
I'm about halfway through slugging and delivering plates for the animator. Can I tell you that John Dillon has been doing a simply bangup job on the post-production here?
Holy cats Seed&Spark seems to be poorly thought out. Although, I don't have a lot of positive things to say about the art-house indy film part of the industry. So maybe for movies made by people who don't know how to make movies, making movies that will never be distributed, it's a perfectly fine idea. But selecting G&E gear from a drop-down list is an absurd activity.
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