Me: "What's this project you're working on?"
They: "Troilus and Cressida. In Yiddish."
Me: "Yiddish? Well, at least you don't have to worry about making DM&E's."
They: "I don't think you have to worry about making deliverables at all."
What would be in the interest of preventing an otherwise formidable instance without the means.












Constitutional Hipsters.
It's critically important to remember the 5-step finale. It's the missing section of Save the Cat.
From a BBC News article:"People are not good at seeing the future, particularly the future of people. The problem is that people are changeable, they don't always do in the future what they do now. People, being people, know this - or should - but often carry on regardless."This is why I don't like to try to predict the future.

Rumor has it that there are some Blockbusters with up to 7 copies of Alien Uprising in them. That means there sure will be a glut of them when this run is done. That's good, because they'll be cheaper used. I don't actually own a single copy yet. It doesn't matter directly to us if rentals and sales of the movie are made 'cause we took our $10K buyout for like 13 years for North America and ran. We still own broadcast TV rights though. Still, the better it does the more distributors will look at our future pictures.
Photofunia puts your face in pictures.
We have some number of acts (of the new 10-minute acts we use) of Clonehunter rough-edited. I think that Maduka might be up to 5.
"What is TheatreSource?" from Jon Ecklund on Vimeo.
Free for a week: Crumplepop's tilt shift effect for FCP.






OK, one really sad thing about the Save the Cat software is that little windows will occasionally pop up saying things like "Still having trouble with your story? Email me at Blake246@aol.com. I'd be glad to help!" I never even met the man and that makes me choke up a little when I see it.